Writers: Check this magazine out and what types of manuscripts they are looking for! WOW! I love it! ❤ A rare find.
Grey Borders Magazine publishes poetry, fiction, nonfiction, and artwork that challenges social norms. Founded in 2002, this Canadian magazine has been published in print and online for over a decade. They seek work that invites discussion about untold stories, stories about mental illness, race, sexuality, radicalism, and social justice. They like work that considers these issues in light of the current cultural moment. To get a sense of what they are looking for, you can browse work by authors published in Grey Borders online.
I’ve been thinking a lot about role models and how they influence a writer’s work; the ways this translates to our readers.
There’s a reason writers become invested in their characters, why they often refer to them as real; a living, breathing part of the world as they know it. They have a history, complex personalities, and emotional depth. For readers, if we’re lucky, this equates to a character springing to life on the page.
Regardless of the process or how much planning is involved, as writers, we draw from our environment, and our experience. We observe behaviour, ask questions, have a sensitivity to body language, and pay attention. But it’s more than that. The people we meet, those we know – we use these observations to build unique fictional people. Then we give them a place to belong.
It’s not always a conscious decision and, like people as a whole, most have a variety of influences – their literary genes are inherited from all we see and hear. That’s why it’s so much fun when a character comes to us out of the blue. It can be difficult to pinpoint where they actually came from given the amount of information we carry in our head! It’s hard not to wonder at the magic of imagination, of fantasy, and marvel at the way the world around us has a direct influence on all we convey.
I can’t deny that many of my female characters are strong, passionate women. Quite simply, this is due to the fact I’m surrounded by resilient women. My mum is one of the strongest people I know. She is bubbly and affectionate, but, whenever I’m channelling sass – I think of her! My sister inherited that strength and I not only rely on her, I wouldn’t be the person I am without her.
And it’s not only my immediate family. My great-grandmother was a force to be reckoned with, a woman who practically raised four boys singled handed. Those boys (my grandfather included), were said to be hellions in their youth! She used tough love, an endless supply of patience and an iron will to keep them on the straight and narrow. I recognise her in a number of my characters, which isn’t a surprise.
The stories I grew with, family stories, certainly have an impact. My experiences of love and commitment, friendship and loyalty are also threaded through my work. I wouldn’t call us a military family per se, but most of the men served at one time or another and my grandmother lost her brother to the war. I never knew him, not personally, but through her I came to understand the man he was. It’s not only the good, it’s also the hurts and the disappointments we feel personally, and share with those closest to us.
I’ve had many wonderful male role models in my life. My brother is younger than me, but he’s my hero. It’s because of him I wrote my romantic crime series, and the experiences he shares about his life in the army all find their way onto the page. I haven’t personally served, but I understand camaraderie and the value of friendship and that’s what I try to reflect within the team I created. Growing up I had a lot more in common with boys than girls. My best friend, Tony, taught me valuable lessons about loyalty. He also has a wicked sense of humour, and I’m able to draw on those lessons.
That’s why, if we’re lucky, we connect with so many of our readers because, whatever the situation, whatever the outcome, it’s the characters who speak to, and for us. It’s in the connections they make, how they love, view the world and interact. A cacophony of life experiences that begin with our role models and build from there. That’s when a character truly comes to life. It’s what makes them memorable and why we want to spend time with them as often as we can. At least that’s how I see it.
There is a unique voice that lives within all of us. We might be shaped by others, but that’s not all there is, and it’s not all we give to our characters either. You could say, in one sense, the characters are an extension of us. So when a reader identifies with them, draws strength, laughs, cries, and celebrates their lives as we do, it’s a special kind of connection. There’s nothing quite like it.